Evil robot coordinating the fate of humanity in Lewis Padget’s ‘Open Secret’ from Astounding Science Fiction April 1943. Art by Elton Fax
Metaphorical representation of research being stifled by security concerns in Ernest M Kenyon’s ‘Security’ from Astounding Science Fiction October 1955. Art by Kelly Freas
Mountain monorail — Kikuzo Ito, 1936 A powerful airplane propeller balances a precarious-looking two-wheel bodice, while a tail fin keeps the train upright and stable.
hangin out.. just don’t rush it, no hippie yippee talk.. then one thing let to another, i had a dream of the open window up there.. then we were there..
Barnard 33 Quantum Tunneler – A self contained video playing sculpture by ReTech [self] 2017 (90% reclaimed materials.)
“How the Year 2440 was Imagined in 1771”: an in-depth video analyzing French author Louis-Sébastien Mercier’s 1771 novel “The Year 2440: A Dream If Ever There Was One”, a Utopian vision of a far-future Paris.
Work area at the Johnson Wax Building, headquarters of the S.C. Johnson and Son Co., Racine, Wisconsin
1986 Machimoto. A fusion of car & motorcycle built on a Golf platform & engine. 6 motorcycle seats combining the idea of a social car and a sand buggy.
Scene from the Granthee Invasion of Earth in Don A. Stuart’s ‘Frictional Losses’ from Astounding Stories July 1936. Art by H. W. Wesso
Olivier Mourgue’s “Djinn” chairs, as featured in the Space Station 5 lobby of the futuristic, rotating Hilton® in 2001: A Space Odyssey (1968)
Symbolic depiction of a psychic handshake in Erik Frank Russell’s ‘Call Him Dead’ (part 3 of 3) from Astounding Science Fiction October 1955. Art by Kelly Freas
