hangin out.. just don’t rush it, no hippie yippee talk.. then one thing let to another, i had a dream of the open window up there.. then we were there..
Barnard 33 Quantum Tunneler – A self contained video playing sculpture by ReTech [self] 2017 (90% reclaimed materials.)
“How the Year 2440 was Imagined in 1771”: an in-depth video analyzing French author Louis-Sébastien Mercier’s 1771 novel “The Year 2440: A Dream If Ever There Was One”, a Utopian vision of a far-future Paris.
Work area at the Johnson Wax Building, headquarters of the S.C. Johnson and Son Co., Racine, Wisconsin
1986 Machimoto. A fusion of car & motorcycle built on a Golf platform & engine. 6 motorcycle seats combining the idea of a social car and a sand buggy.
Scene from the Granthee Invasion of Earth in Don A. Stuart’s ‘Frictional Losses’ from Astounding Stories July 1936. Art by H. W. Wesso
Olivier Mourgue’s “Djinn” chairs, as featured in the Space Station 5 lobby of the futuristic, rotating Hilton® in 2001: A Space Odyssey (1968)
Symbolic depiction of a psychic handshake in Erik Frank Russell’s ‘Call Him Dead’ (part 3 of 3) from Astounding Science Fiction October 1955. Art by Kelly Freas
Space Flight Attendant? Actually no, it’s a bubble helmet to protect the Braniff airlines stewardesses’ hair on the windy tarmac. Designed by Emilio Pucci. Still, it would look cool on a flight to Mars.
I made an art of a suit of power armor that is set in the 70s but received critiques, some of them make sense, but one thing is they say that the helmet is small, its meant to be like that, to prove it, I made this rough art comparing the suit’s height and yes its meant to be quite gigantic.
drew this power armor based from a retrofuturistic book im writing, and thought its ok to post this here
A Venusian interplanetary missile launcher in John Edwards’s ‘The Menace from Space’ from Amazing Stories April 1934. Art by Frank R. Paul